Last weekend, I did something I’ve never done before: Packed my family into the minivan and drove up to Burlington for a book-signing event. I would do this for very few authors, but I did it for Kate DiCamillo.
For those who don’t have children under age 18, Kate DiCamillo is a children’s book author known for an impressive array of beautifully written and moving works, from picture books to young adult fiction. I taught her novel, Because of Winn-Dixie, to my third grade class before I had children of my own. My own children have devoured her Bink and Gollie books (co-authored with Alison McGhee), The Tale of Despereaux, and – our family’s favorite – the Mercy Watsonseries, about a pig who lives with the Watson family on Deckawoo drive and will do anything for toast with a great deal of butter on it. (I consider one of the Mercy Watsonspin-off books, Where Are You Going, Baby Lincoln?, to be among the most perfect books ever written, period.)
Needless to say, when I learned that the Flying Pig Bookshop was hosting an event with Kate DiCamillo and New Yorker cartoonist and illustrator Harry Bliss to promote their latest collaboration, Good Rosie!, I deemed it a worthwhile way for our family to spend a Sunday afternoon.
Out of the entire afternoon, one moment stuck in my head:
When asked by a young girl in the audience how she handles writer’s block, Kate DiCamillo explained that she doesn’t getwriter’s block, because her working day involves sitting down to write two pages. Just two pages a day.If those don’t turn out well, she said, it’s not writer’s block, “it’s just a bad writing day.”
This moment stuck in my husband’s head as well; my long-suffering husband, who has spent a decade listening to me bemoan my lack of writing time.
“Two pages a day,” he said to me as we exited the event.
“Yup,” I said, smiling in an attempt to look brave. “That seems pretty manageable.”
Inside, I was thinking: HOW can I find the time to write two pages a day?!?